Showing posts with label 2010. Show all posts
Showing posts with label 2010. Show all posts

Friday, 4 June 2010

A Good Cause


Yesterday it became clear that, over three and a half hours, the 52-year-old divorcee's rampage through a 25-mile stretch of towns and villages in Cumbria had escalated from the methodical execution of a group of men he considered to have wronged him to a killing spree of terrifying randomness.

(Cahal Milmo, Mark Hughes and Patrick Hill, ‘The grievances and grudges that drove Derrick Bird over the edge’, The Independent, 4th June 2010.)
Derrick Bird is a narrative in flux at the moment. The police gave us that mystifying "grudge and random" motive, or lack of motive. Surely both undermine each other. Random shootings that were not all random, and so not really random at all. Grudge killings of his brother and associates that led to non-grudge killings of strangers, suggesting that the anger or emotion was not solely directed at the people Derrick Bird supposedly had grievances against.

I’ve often wondered about my preoccupation with understanding why somebody kills another (a preoccupation that appears to be shared by the media, and thus, supposedly, a lot of people in this and other countries). If they weren’t provoked, then was there something wrong with them. Were they violently antisocial, did they read a lot into the looks they got from strangers on the street? If they were provoked, what was the provocation?

I think for me, and thus possibly for the media et al, it might be that I wonder: if I were in that situation, would I have warranted death in the eyes of the killer. Could I have handled the situation in a way that would have saved me? Perhaps I would have come across as a punningly disarming figure, or at least anonymous amongst other targets. Perhaps I would have been the have a go Rambo, punching or knocking the killer to the floor, dispatching the dispatcher. As far as we can see, I, you, and most other people would have died if caught in the glance of Derrick Bird during those hours on Wednesday.

Killing and suicide are significant in literature; they are used to explore the ultimate emotions – what remains important to, or in the mind of, a person who is about to lose everything, all of sensation and experience, into eternity. What do they think about, what do they say, what do they renounce when they’ve come beyond duplicity – the deathbed confession if you like.

What was Mr Bird’s ultimate - settling scores and then taking a few more down with him? Think of the ramifications of that (that being the current best guess of the media and its approached witnesses as to why the shootings happened). Your last act before oblivion, as everything in you and the world is realigned to the best of your knowledge, affording you the most panoptic sense of perspective you’ll ever achieve, and you kill a fellow taxi driver for a row over pickups. You shoot your brother and your solicitor over family or monetary business, as well as a few others you've had grievances against for anything up to a couple of decades. Then you shoot strangers over nothing, other than what you have projected onto them.

We are being lead towards the conclusion that Derrick Bird, pushed beyond himself by a sense of unfairness, terror of bankruptcy and prison, and the combined stress of these and other matters, decided he couldn’t live any longer. Additionally, he seemingly decided that, in relinquishing life after 52 years of thoughts and experience, he ought to kill others out of spite at his own ultimate predicament, whether or not they had a hand in it. This represents his verdict on life from the culmination of his years.

But then it’s hard to emphasise the resentful spite, (although the Sun has of course managed it) because Derrick Bird meted out the same ‘punishment’ to both his grudge victims and to strangers. He lashed out against the parochial and the arbitrary, an apparent nihilism where he, his brother, his associates and strangers in his line of vision had no advantage in being alive. He let the struggles and arguments of his life tint everything before him as he prepared to end the world from his perspective, and also the worlds of his 12 victims and 11 injured intendeds. His ultimate conclusion on life appears to be: whoever you are, whatever you do (for I don’t know) it isn’t important, it can’t be important - you might as well be dead for all that you were alive.

The conclusion doesn’t fit, though, because the previous afternoon he gave a large sum of money to his son Graeme, ‘for the baby’ [1]. At that point at least he felt that his grandchild and the boy’s parents had potential futures to be invested in, and this was after he had allegedly been planning the next day’s actions.

So I don’t buy any of the whys yet; there have been no good causes offered - certainly not the connecting of a person’s suicide, and murdering of others, with their bills, debt, stress and grief. Those lists of Facts are good for trials and that is all. They are symbols, signifiers of Derrick Bird’s recent life, but offer little of his state of mind, or his ultimate perspective in the final hours of that life. There was something more intense and complicated in his head when he killed those people and himself. Some view of human existence far more potent as an incitement to act, far more complex than money worries and ‘petty’ (petty!) grudges that we’ll never understand. Doubtless Bird himself would not have been able to communicate it, had he been caught mid act.

We shouldn’t trivialise the people that died on Wednesday by imagining that David Bird, Kevin Commons, Darren Rewcastle, Garry Purdham, Jane Robinson, Michael Pike, Kenneth Fishburn, James Jackson, Jennifer Jackson, Susan Hughes, Isaac Dixon and Jamie Clark were killed in settlement of Derrick Bird’s grievances, money worries and stress.

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[1] Cahal Milmo, Mark Hughes and Patrick Hill, ‘The grievances and grudges that drove Derrick Bird over the edge’, The Independent, 4th June 2010, <http://www.independent.co.uk/news/uk/crime/the-grievances-and-grudges-that-drove-derrick-bird-over-the-edge-1991093.html>.

Friday, 23 April 2010

The Obligations of Jon Olsson


JOSS Day 8 - Big Airbag Session from Jon Olsson Video Blog on Vimeo.

Seen and heard through the publicity outlets of his blog and video-blog, Jon Olsson comes across as one of those adults who remain like a fun loving teenager’s edited highlights. For these people there seem to be no problems or issues serious enough to alter their happy demeanour. They also never let on how business savvy they are - although their clothes out-valuing real estate and cars to match do rather hint at that. Olsson’s a freeskier, which involves spending lots of time in the air performing flips and spins. One of Olsson’s flips is the DJ (Double Jon). This is a D-spin 720 (at various levels of disagreement that’s roughly a cross between a backflip 360 and corkscrew 720) into a flatspin 540 (I gave up trying to find a good definition, but the whole thing looks impressive, and you land skiing backwards).

Olsson’s been skiing incredibly well since school – he’s one of those people who are so good that their teachers mistake it for bad, and cocky with it. As the Ski Channel explains: ‘he was on pace to become quite the accomplished ski racer for the Swedish National Team. As history wrote it, Jon ultimately opted for a life of traveling [sic], sponsorship budgets, Red Bull shipments, lavish living, and a whole lot of park skiing.’ Olsson showed them all it seems, and kept himself in check with his own perfectionism. He set up the Jon Olsson Invitational big air competition, which he also wins sometimes, and the Jon Olsson Super Sessions in Åre, Sweden. He’s also making a comeback in ski racing, and planning to get onto the Swedish National Team again by the 2014 Olympics. Last year he proved his alpine skiing credentials by claiming first place in the Giant Slalom in the Nor-Am Cup.

Olsson’s a good inspiration for the would-be slickly phrased diarist: those people who like to claim that they can grab a can of diet coke and power up the MacBook whenever there’s a brief gap in their tight schedule of pro-active awesomeness. Olsson’s been pro-actively awesome since pre-pubescence. His blog entry from the 26th of March was titled ‘03.52’ and reads:

Time to get stuff done! Have a 7 Am flight out of Nice via Munich to Stockholm!

But first I need to:

-Pack up for the next 2 months including Åre and Gumball- Not easy.


-Place bills in order in my archive.


-Clean so the place is nice for when I get back here after Gumball.


-Unpack the Range and make a quick clean!


-Coordinate the Lambo pick up and tire change.


-Design the logo placements on the Lambo.


-And of course answer to a bunch of e mails!


Need to leave here at 05.40 so I better get going!


See you in Sweden!


JON
The ‘Lambo’ is a nice custom Lamborghini Murcielago LP 670-4 SV, which sounds like a model of calculator and looks like a taser, and the acceleration of which you can see him repeatedly show off in the video blog. ‘Gumball’ is the Gumball 3000 rally, where he’ll be driving the Lamborghini for Team Betsafe. The rally starts in London on May 1st and ends up in New York seven days later - via Amsterdam, Copenhagen, Stockholm, Boston, Quebec City and Toronto. The Lamborghini now has its Betsafe and Gumball transfers applied ready for the rally. Sponsorship means that Olsson’s skis, car, clothes or some bit of the scenery around him at anytime will bear the logo of six or seven brands, and their ads pop up impressively around most third party articles about him you’ll find online.

However, the 2010 Super Sessions have highlighted a problem that will likely follow Olsson through his skiing career – that of reconciling the necessity of sponsorship with the spontaneity and emotion of respected, audience-drawing freeskiers. This year saw the teams (each made up of two filmmakers, two professional skiers and a rookie) challenged to make the best five-minute video edit they could from 264 hours of filming time. The winners (Team Canada) were announced on the 18th of April, when all the teams’ video edits were shown. The teams’ edits were then to have been converted for general internet consumption - with the relevant sponsors’ logos added - and with staggered online releases from the evening of the 21st. Releasing them this way apparently maximises the website statistics and keeps the sponsors happy.

Instead of this happening, Team America (please, don’t) released their video on the 18th, with no sponsors’ logos (but with copious product placement at least). This upset Olsson. We’ll never know the personal feelings on either side, or exactly how much it had to do with the scoring and resultant grudges, but Olsson’s stated grievances were that Team America could have jeopardised the event by annoying the sponsors, and that it was unfair on the other teams. Team America maintained that the video edit was a product of their hard work, and all they had to show from the two weeks. They had, after all, come fourth in a competition where the winner takes it all (must be a Swedish thing). They seem to have sorted things out with each other now, but the brief exchanges over the 21st/22nd are worth noting. Through his PR-mindful posts on the blog, Olsson himself identified the dilemma that these events have raised for him:
I will [sic] much rather invite more stoked rookies to Åre then [sic] pros making it hard for the event and their friends. However, that would also suck as Team America had one of the best edits I have ever seen… All I know is that I want the best guys in Åre, but I want them to be happy! [1]
Olsson will always be trying to get a three-way settlement, dealing with the obligations of sponsorship, skiers that push the boundaries of the sport but also break the terms and conditions of broadcasting it, and skiers that can’t compete with the wild cards’ performance but will toe the publicity line. Even if more personal reasons underlie what happened at the Super Sessions this year, it’s easy to imagine this dilemma cropping up again. The skiers – most of whom are in their late teens to early 20s – are putting their skills and endearing egos on show, with hip hop soundtracks on their videos and a fashionable vocabulary for their chilled, freestyle lifestyle. The culture they live in can sometimes clash with the requirement for them to talk to a camera enthusiastically for a video blog at strategic points of each day.

Perhaps the sponsors should note how these antagonisms are part of the skiers’ appeal for fans (fans have been taking sides, and lapping up the chance to call either party douchebag/s). Sponsors could easily work their logos into the background of the skiers’ candid behaviour, rule breaking and bad mouthing, and then they’d milk the bigger audiences such content pulls in. It would certainly be interesting to free Olsson of his always-conscious-of-the-sponsors emissary role and see him vent his spleen now and then, alongside the awesome jumps.

[1] Jon Olsson, ‘Release thoughts and Team America…’, jon-olsson.com, April 20th, 2010, < http://www.jon-olsson.com/?p=1252>.